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1: The Command 8 ­control ­surface features 100 mm ­motorized faders, rotary encoders, transport controls, and a battery of special-purpose buttons and LEDs. Digidesign's new, USB-based Command 8 combines an 8-channel MIDI control surface, a MIDI interface, and a stereo monitor. Command 8 requires Pro Tools 6.4 and works with all compatible hardware systems, including Pro Tools Mix, HD, HD Accel, Mbox, 001, 002, and 002 Rack. Version 6.4 TDM and LE software for both OS X and Windows XP are included, which is a nice freebie for those who haven't already upgraded. Command 8 is a direct descendent of the previous Digidesign — Focusrite controller products Control 24 and Digi 002. Its eight channels offer a window into eight Pro Tools tracks at a time.

From within Pro Tools, Command 8 offers three modes: Home View, in which the eight channels are used for standard volume and panning; Console View, in which the rotary knobs are used to control sends and inserts; and Channel View, in which all the controls are used to edit parameters for a single plug-in on the selected channel. Transport and zoom controls, some Pro Tools command- and keystroke-equivalent buttons, and a stereo analog monitoring system are also part of the design. A 1-in/2-out MIDI interface is thrown in for good measure. Channeling In Each of Command 8's identical channels includes a touch-sensitive, 100 mm motorized fader; mute and solo buttons; a multipurpose Channel Select button; and a rotary encoder (often called a 360-degree knob). The encoder is surrounded by a ring of LEDs that mark its current position. Duval County Esol Program In Maryland there. A 5-segment LED ladder for level metering is at the top of each channel strip (see Fig.

One of the coolest features of MIDI controllers is being able to edit plug-in parameters directly from the control surface. Command 8 does not disappoint in that area. The plug-in editing process is slick and intuitive. Bomb Factory Pultec Bundle Crackers. Selecting a plug-in for editing takes three keystrokes: press the Insert button, then the Channel Select button for the track, and then the Channel Select button under the name of the desired plug-in. Dedicated EQ and dynamics buttons narrow the selections to plug-ins of those types. Once a plug-in is selected, the first eight parameters are displayed, which can then be edited with the corresponding rotary encoders.

On/off parameters are toggled with the Channel Select buttons. If more than eight parameters are available, Page Back and Page Forward buttons access the additional parameters. A Master Bypass button allows you to optionally bypass the plug-in during editing. A single keystroke exits plug-in editing, returning Command 8 to its default mode. Beam Me Up Command 8's transport control puts commonly used navigation commands at your fingertips. Standard tape-transport controls (return to zero, rewind, fast forward, stop, play, and record) are laid out in a row of large, oval buttons. Loop Play, Record Toggle, Quick Punch, and Memory Location Window buttons are located just above.

To the left of those buttons are buttons to bring the mix, edit, and currently selected plug-in windows to the foreground. Large buttons labeled with arrows help with primary system navigation. Above those are Bank, Nudge, and Zoom toggle switches. The Bank and Nudge switches shift the focus of Command 8's faders by one or eight Pro Tools tracks, respectively. The Zoom switch changes the function of the navigation buttons to horizontal and vertical track zooming. The transport section includes a Flip switch, which swaps the functions of the rotary encoders and the faders. There is also a Master Fader switch, which focuses the Command 8's faders on all masters used in your Pro Tools session.