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Selection: A Night in Tunisia (Gillespie) Artists Dexter Gordon (tenor sax) Bud Powell (piano) Pierre Michelot (bass) Kenny Clarke (drums) recorded CBS Studios, Paris, France, May 23, 1963, engineer Claude Ermelin, mastered by Van Gelder, and released in November 1963. Artist of Note: Bud Powell, piano! Powell left New York for Paris in 1959, where American jazz artists found a congenial expatriate community, and decent espresso. Right, Powell pictured at Club St Germain, Paris, with Kenny Clarke (drums) and native Parisian Pierre Michelot (bass), Clark Terry and Barney Wilen on brass. Holy Cow, s omeone get me a ticket! 1960 The Three Bosses – Powell, Michelot and Clarke– played a year-long residency at the Blue Note Club, Paris, the longest period of continuous employment in Powell’s career. The club’s ten-year life, 1958-68, saw concerts by Chet Baker, Donald Byrd, Sonny Criss, Ervin Booker, Sonny Stitt, Jimmy Giuffre, Gerry Mulligan, Art Farmer, Dexter Gordon, J. Johnson, Jimmy Smith, Elvin Jones, Lee Konitz, Sonny Rollins, Sahib Shihab, Lucky Thompson, Nathan Davis, Mal Waldron, Ben Webster, and Cannonball Adderley.

To name but a few. Make that a season ticket! Having allegedly downed a customer’s drink when they weren’t looking, Powell was fired, or so the story goes.

Concert bookings still flowed, taking him to Switzerland, Oslo, Copenhagen and Stockholm. Back in Paris, at the time of this Gordon session, Powell made as many recording dates in four months as he had since his arrival in Paris four years previously. However from here on Powell went into a spiral of decline from which he never emerged, ending in his death in 1966, age 41. There seem to be two fixed points in jazz criticism which come up whenever that artist’s name is mentioned: Sonny Stitt is Charlie Parker’s shadow (oh no he isn’t/ oh yes he is), and the later Bud Powell, as a shadow of his earlier self. I’m not sure it helps you appreciate the good in either. Everything has an upside, its a physical fact.