The Abbot The Razor Bobby Digital Bobby Steels Prince Delight Prince Rakeem Prince Dynamite Ruler Zig-Zag-Zig Prince Dynamite Ruler Zig-Zag-Zig Allah RZArecta The Scientist Bob Digi Robert Diggs Bobby Boulders. RZA - Show U Love 2. RZA - Can't Loose (feat. Beretta 9) 3. RZA - Glocko Pop (feat. Wu-Tang Clan) 4.

RZA - Must Be Bobby 5. RZA - Brooklyn Babies (feat.

Masta Killa) 6. RZA - Domestic Violence Pt. RZA - Do U (feat. GZA, Prodical) 8. RZA - Fools (feat Killa Sin) 9. RZA - La Rhumba (feat.

21 rows Digital Bullet is the second solo studio album by American hip hop artist RZA under his pseudonym Bobby Digital. The album was released on August 28, 2001.

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Method Man) 10. RZA - Black Window Pt. RZA - Shady (feat. Intrigue) 12.

RZA - Break Bread 13. RZA - Bong Bong 14. RZA - Throw Your Flag Up 15. RZA - Be A Man 16. RZA - Righteous Way (feat. RZA - Build Strong (feat.

RZA - Sickness 1. RZA - Show U Love 2.

RZA - Can't Loose (feat. Beretta 9) 3. RZA - Glocko Pop (feat. Wu-Tang Clan) 4. Introductory Mycology Alexopoulos Pdf Converter. RZA - Must Be Bobby 5. RZA - Brooklyn Babies (feat. Masta Killa) 6.

RZA - Domestic Violence Pt. RZA - Do U (feat. GZA, Prodical) 8. RZA - Fools (feat Killa Sin) 9. RZA - La Rhumba (feat. Method Man) 10. RZA - Black Window Pt.

RZA - Shady (feat. Intrigue) 12. RZA - Break Bread 13. RZA - Bong Bong 14. RZA - Throw Your Flag Up 15.

RZA - Be A Man 16. RZA - Righteous Way (feat. RZA - Build Strong (feat.

RZA - Sickness 19. RZA - Odyssey (featuring Isaac Hayes Band) 20. RZA - Cousins.

After the release, chart success, and inevitable backlash against the Wu's The W, the group decided to remain in the studio and immediately get to work on a follow-up that would shut the naysayers up. In the meantime, The Rza and Ghostface Killah would put the final touches on solo albums that were already in progress. Ghost's Bulletproof Wallets will be written about later, since Rza's Bobby Digital alias released on Indie Graveyard Records (sorry, I meant to type 'Koch') about two weeks before the tragedy that is 9/11. But obviously, this album has nothing to do with the terrorist attacks on American soil. (The Wu would later address that on Iron Flag.) Instead, resurrects Bobby Digital, hip hop superhero, as a man who has everything, but is sick and tired of the materialistic lifestyle that he himself had cultivated since the release of the first project.

As expected, the concept is much looser this time around, since a lot of the tracks simply feature Rza and friends going nuts over mostly Rza-produced tracks. To my knowledge, didn't sell as much as its predecessor, since the timing of this release coincided with general apathy of all things Wu-related in the hip hop world. Does that mean this was a bad album?

Well, if you're the type of person that judges album quality based on sales (read: if you're part of the association that votes on Grammy awards), then yes, this is a bad album. But if you actually listen to the music? INTRO / SHOW YOU LOVE Alright, I suppose. CAN'T LOOSE (FEAT BERETTA 9) Who knows if the misspelling is intentional, but other than a vocal sample that grates on your last nerve like sandpaper on an armoire, the song doesn't completely suck. GLOCKO POP (FEAT METHOD MAN, MASTA KILLA, & STREETLIFE) I remember this song leaking to the Interweb shortly after the release of the first Bobby Digital album, and I remember liking it a lot, even with Rza's borderline comical first few lines, which are so bad that it almost detracts from the entire Wu-Tang legacy.

I find myself still liking this mastered version, although the radio introduction is completely unnecessary. MUST BE BOBBY Pretty damn good, if not overly simplistic for a Rza beat. BROOKLYN BABIES (FEAT MASTA KILLA & THE FORCE M.D.S) The playback speed of the beat is adjusted to brilliant effect throughout the song, and Masta Killa acquits himself pretty well. Well played, Robert Diggs. Download Stardock Fences Portable Buildings. DOMESTIC VIOLENCE PT. 2 (FEAT BIG GIPP) Big Gipp from Goodie Mob is an.um. Interesting choice.

Tony Touch's production doesn't fit the sound of the rest of. This song may have sounded better on a Goodie Mob or Big Gipp solo album, since it sounds so bad it actually taints your memories of the original misogynistic masterpiece. DO U (FEAT PRODIGAL SUNN & GZA/GENIUS) Really fucking good, especially Gza's verse. Wouldn't have sounded out of place on Wu-Tang Forever, which is supposed to be a compliment. FOOLS (FEAT KILLA SIN) 'Everybody Plays The Fool'? I like how Rza's voice almost cracks in half while singing/demanding everyone 'bring (their) nines'.